Writing psychological horror is not about monsters. It is about the tension inside the mind. I wanted my story to blur the lines between fear and perception, but my draft felt too chaotic. Some scenes were overwritten. Others didn’t deliver the suspense I was aiming for. I wasn’t sure if I was building dread or simply confusing the reader. British Proofreading’s book editing service was a turning point. My editor helped me see where the tension needed space to breathe and where the pacing needed tightening. They restructured key moments so the unease would grow gradually, not abruptly. They also helped me strip away over-explained thoughts and replaced them with subtlety that made the horror feel closer, quieter, and more disturbing. What I ended up with was a book that creeps under the skin instead of screaming for attention. If your story plays with the fragility of the human mind, this editing team knows exactly how to make every detail count.