Writing historical fiction taught me that research alone is not enough. I had dates, events, and settings carefully detailed, but the story itself lacked balance. Some chapters felt more like history essays, while others were missing the emotional pull that keeps readers engaged. Working with British Proofreading’s book editing service was the turning point. My editor helped me weave fact and feeling together so the history supported the drama rather than overwhelming it. They smoothed the pacing, aligned the voice, and ensured dialogue matched the period without sounding stiff. The result is a manuscript that reads with both accuracy and emotion. It feels authentic to the time while still carrying a story readers will want to follow.