Edioak Reviews

Name: Edioak
Address: 1250 Broadway 8th Floor, New York, New York
Rating: 4.80

4.8 Rating 1,029 Reviews

100 %

of reviewers recommend Edioak

Company Reviews

Metrics

Info

4.8

Based on 1,029 reviews

Shipping & Delivery
On-time Delivery	100%
Customer Service
Communication Channels	Email, Live Chat
Queries Resolved In	Under An Hour
Customer Service	5 out of 5

Visit Website

Phone:

+447700144823

Email:

melissa@edioak.com

Write Your review

Tell us how Edioak made you happy

Help future customers by talking about customer service, price, delivery, returns & refunds.

Minimum 10 characters

What's your name?

Leave this blank if you'd like to publish your review anonymously.

(Optional)

Whats your email?

We need your email address to verify that your review is genuine

Please note that we may share your email with the company to verify your order.

Anonymous

Anonymous // 01/01/2019

Filter: Rated 5 None 5 Stars 4 Stars 3 Stars 2 Stars 1 Stars Helpful

“Special appreciation for the team behind the scenes, because dealing with an author who keeps saying “small change” and then rewriting entire sections is not for the weak. Emails were answered quickly, revisions were handled without drama, and somehow no one told me to calm down (even when it would have been fair). What impressed me was how the humour in the book was protected. Jokes weren’t flattened. Tone wasn’t sanitised. The ghostwriting respected the personality of the material, which is harder than it sounds. The book reads confident without being smug, funny without trying too hard, and serious without taking itself too seriously. That balance doesn’t happen by accident. It comes from people who understand books, authors, and the strange mental state that exists somewhere between “I have a story” and “why did I start this?””

Helpful Report

Posted 5 months ago

“Before this, my marketing strategy was basically “post once and hope for the best.” That didn’t work. The book marketing service brought order to the chaos. Promotions made sense, timelines were realistic, and I finally understood why certain steps mattered. Also, I stopped refreshing Amazon every ten minutes, which alone was a win.”

Helpful Report

Posted 5 months ago

“What stood out in this book editing service was its consistency and focus on the reader’s experience. Every round of edits moved the manuscript forward instead of circling the same issues. Feedback was specific, actionable, and clearly tied to how a reader would move through the book. There were no vague comments or cosmetic fixes for the sake of activity. The final manuscript reads smoothly, with clear progression and intent. It feels finished in a meaningful way, not just corrected.”

Helpful Report

Posted 5 months ago

“I came to book ghostwriting with confidence and left with humility. I thought I had “clear ideas.” What I actually had were strong opinions, long voice notes, and the attention span of a browser with 37 tabs open. The ghostwriter listened to all of it, nodded (I assume), and somehow turned the chaos into chapters that made me sound organised and thoughtful. The most uncomfortable moment was recognising my own thoughts written better than I ever managed to say them. The most impressive part was that the book still sounds like me, not like someone pretending to be me. Book ghostwriting with Edioak felt less like outsourcing and more like having a very patient translator for my brain. Highly recommend — especially if your manuscript currently lives in voice notes.”

Helpful Report

Posted 5 months ago

“I went into a book marketing service fairly cautious. I didn’t want exaggerated claims or loud promises. What I appreciated here was restraint. The focus stayed on long-term visibility rather than quick spikes, and the book was positioned thoughtfully rather than aggressively pushed.”

Helpful Report

Posted 5 months ago

“Before this, I believed ghostwriting meant someone would politely rewrite my thoughts. What actually happened was closer to an intervention. Very calm. Very professional. Very accurate. The book ghostwriting process involved me saying things like, “This chapter is about everything,” and the writer responding by gently turning “everything” into an actual theme. Repeatedly. With patience I did not deserve. The drafts didn’t sound robotic or overly polished. They sounded like me, minus the rambling side quests and unnecessary philosophical spirals. The real comedy was how often I said, “Yes, exactly,” while reading something I hadn’t technically written. That’s when I realised the ghostwriting wasn’t about language. It was about listening. And possibly psychic abilities. By the end, I had a book that made sense, flowed logically, and didn’t require footnotes explaining what I was trying to say. Honestly, that alone feels like a win.”

Helpful Report

Posted 5 months ago

“Book ghostwriting is not for people who want to remain vague. This process demands specificity. It demands decisions. It demands that you stop hiding behind “I’ll figure it out later.” Later arrives quickly when someone is trying to write your thoughts clearly. There were points where I considered stopping, not because the work was bad, but because it was too accurate. That’s not something most services warn you about. The final manuscript doesn’t feel impressive in a loud way. It feels inevitable, like this is the version that should have existed all along. That’s a strange and satisfying outcome, but it’s earned, not gifted.”

Helpful Report

Posted 5 months ago

“There’s something powerful about watching a book be understood by people you don’t know. The Goodreads review service introduced the book to readers who actually read. The responses were varied, thoughtful, and at times surprisingly perceptive. It didn’t feel like promotion. It felt like the book was finally being seen.”

Helpful Report

Posted 5 months ago

“Found this through a Goodreads review service and expected the usual overhype. Didn’t get that. Mixed opinions, different styles, and some genuinely thoughtful reactions. Felt normal, which is rare.”

Helpful Report

Posted 5 months ago

“I was afraid a ghostwriting service would sensationalise parts of my life that were painful but private. That didn’t happen. If anything, there was more restraint than I expected. Some moments were intentionally underwritten. Some silences were left intact. That restraint made the story more believable, even when it was difficult. What surprised me was how often the feedback was about what not to say. Not every insight needed explanation. Not every emotion needed commentary. That’s hard for authors. We want to justify ourselves. The book feels honest without being confessional for the sake of it. That balance is rare, and it required me to let go of control more than once. That wasn’t easy, but it was necessary.”

Helpful Report

Posted 5 months ago

“The biggest misconception about book ghostwriting is speed. This wasn’t fast. It took time. Conversations looped. Sections were rewritten more than once. There were weeks where progress felt invisible. That was frustrating, especially when I was eager to “be done.” But in hindsight, the slowness was the point. Every rushed version sounded shallow. Every patient version sounded closer to the truth. The ghostwriter didn’t rescue me from indecision; they waited until I made better decisions. The finished book feels grounded. Not inspirational-poster grounded. Real grounded. If you want instant gratification, ghostwriting will annoy you. If you want something solid, it delivers — but only if you stay present.”

Helpful Report

Posted 5 months ago

“There’s something satisfying about seeing your book discussed by people who actually care about the topic. The podcast booking service created that space consistently. Each conversation felt distinct, and none of them felt like filler. That’s harder to achieve than it sounds.”

Helpful Report

Posted 5 months ago

“Book marketing is where optimism goes to die. Or at least, that’s what I thought before this. Instead of loud promotions and empty hype, things actually happened in the background. Calmly. Methodically. I stopped feeling like I was begging the internet to notice my book. That alone felt revolutionary.”

Helpful Report

Posted 5 months ago

“I didn’t realise how attached I was to my own bad sentences until someone calmly suggested removing them. Book ghostwriting stripped away a lot of my performative writing. The parts where I was trying to sound smart instead of being clear. That didn’t feel good at first. There’s a quiet humiliation in reading a cleaner version of your own thoughts and recognising how much noise you were adding. This process doesn’t flatter the author. It respects the reader. That distinction matters. Some of my favourite lines didn’t make it into the final draft. Some of the most boring-sounding lines ended up being the most honest. If you want praise, this isn’t it. If you want a book that makes sense and doesn’t embarrass you later, this is useful.”

Helpful Report

Posted 5 months ago

“Halfway through the process, I remember thinking, “This is never going to sound right.” Then a draft came in that made me stop scrolling and actually read slowly. That’s when I knew the book was in safe hands.”

Helpful Report

Posted 5 months ago

“Book ghostwriting is not a shortcut. If anything, it exposes how unclear your thinking actually is. I came in assuming the problem was time. It wasn’t. The problem was that I hadn’t decided what the book really wanted to say. The ghostwriting process forced that issue early, and there was no hiding from it. Drafts came back that were clean but confronting. Not wrong, just clearer than I was ready for. There were moments I felt defensive. Moments I wanted to say, “That’s not what I meant,” only to realise I had never actually articulated what I meant in the first place. That part was uncomfortable. Necessary, but uncomfortable. The final manuscript isn’t flashy. It’s precise. It sounds like me without the excuses and filler. If you’re expecting ghostwriting to magically turn vague ideas into brilliance without doing the internal work, you’ll be disappointed. If you’re willing to face what your book actually is, it works.”

Helpful Report

Posted 5 months ago

“What stood out wasn’t just the number of podcast bookings, but how smoothly everything ran behind the scenes. Schedules were managed, follow-ups were handled, and there was clarity at every step. That meant I could focus on showing up prepared rather than tracking logistics. The podcasts themselves felt aligned with the book’s audience, and the hosts were engaged rather than transactional. That difference is obvious when you’re on the mic.”

Helpful Report

Posted 5 months ago

“Goodreads can be brutal when a book has zero engagement. This Goodreads review service helped bridge that awkward starting phase. What worked was not just the number of reviews but their variety. Some focused on the theme, some on pacing, some simply on whether the book held attention. It gave the page a sense of life rather than polish.”

Helpful Report

Posted 5 months ago

“I signed up for podcast booking thinking it would mean a few polite conversations spread out over time. What I got instead was calendar whiplash. Invites kept coming. Prep emails stacked up. At one point I had to double-check which show I was on that day and what time zone I was in. It went from “Hope someone invites me” to “Please give me a day to drink water and remember my own book.” The wild part is that the podcasts weren’t random. Hosts were prepared. Conversations were solid. I wasn’t repeating the same intro over and over like a broken audiobook. The problem wasn’t quality — it was quantity. A very good problem to have. Podcast booking with Edioak turned into more visibility than I realistically planned for, and I’m still laughing about how quickly “getting booked” became “managing bookings.” Zero complaints. Mild exhaustion. Great outcome.”

Helpful Report

Posted 5 months ago

“Book marketing often feels like a performance that never ends. This didn’t. What stood out was the sense of stewardship. The book was treated as something with a lifespan, not a momentary product. Attention was given to where it appeared, how it was described, and how it entered conversations. That kind of care is subtle, but it changes everything. There was no pressure to turn the book into something louder or trendier than it was. The marketing respected the book’s tone and pace. That respect allowed the book to find readers who were actually interested, not just passing through. When the campaign ended, it didn’t feel like something had stopped. It felt like something had been set in motion. That’s a rare feeling in marketing, and one I didn’t expect to value as much as I did.”

Helpful Report

Posted 5 months ago

Edioak is rated 4.8 based on 1,029 reviews