Industrial Scripts - Screenplay Editors Reviews

"As a Cinematographer as well as a Director... I was the DP on two Clint Eastwood Films: BRONCO BILLY & ANY WHICH WAY YOU CAN... I was also the DP on the original BLOODSPORT before I Directed the original KICKBOXER launching the career of JCVD... I have also been involved in developing dozens of productions & I found the Consultant with Industrial Scripts to be the most knowledgable, positive, insightful & helpful of any of the coverage I've endured in my many decades in The Business Of Show! The Consultants work was extremely advantages in doing further edits polishes & rewrites on the Script... To the Consultant \"neV\" I give a well deserved BRAVO!!!\r\nDavid Worth "

"As a Cinematographer as well as a Director... I was the DP on two Clint Eastwood Films: BRONCO BILLY & ANY WHICH WAY YOU CAN... I was also the DP on the original BLOODSPORT before I Directed the original KICKBOXER launching the career of JCVD... I have also been involved in developing dozens of productions & I found the Consultant with Industrial Scripts to be the most knowledgable, positive, insightful & helpful of any of the coverage I've endured in my many decades in The Business Of Show! The Consultants work was extremely advantages in doing further edits polishes & rewrites on the Script... To the Consultant \"neV\" I give a well deserved BRAVO!!!\r\nDavid Worth "

"The report on my one-hour TV pilot was illuminating. The reader had clearly taken time to do a deep read, and offered insightful, professional advice with practical suggestions on how to turn the script from good to great. This was by far the most thorough and useful coverage I've received on any of my work."

"Great coverage. It didn't give me a score though..."

"Outstanding, insightful review! You can tell the editor read (and re-read) everything, to provide a comprehensive look at the script and the concept. I submitted a pilot and series bible, it was beyond obvious that both were poured over by someone who seems to love their job. The final work product was, literally, masterfully written - I'd go so far to say that the coverage was better written than my script! After years of coverage and tweaking, the editor found a way to strengthen not only the pilot, but the series in full. This is undoubtedly the place to go when you're ready to finalize your project!"

Inciteful, illuminating, invaluable. In all likelihood some of the best development notes you can get for the money.

"Your reviewer was excellent in many areas. Gave suggestions for improvement that I shall certainly take forward with much gratitude. It\u2019s obvious that he\/she did a good read-through and thought carefully before commenting. It\u2019s very refreshing to have an independent, professional perspective. \r\n\r\nI hope to re-submit in the next few weeks, having taken on board all comments, good and bad.\r\n\r\nIt\u2019s always the bad comments that stick, isn\u2019t it? Your reviewer wrote the first 3 or 4 pages out of 9, assuming that my TV drama was a pilot episode for a series and discussing why it wouldn\u2019t work as such. \r\n\r\nConsidering that my stated one-hour TV drama had a clear and final resolution and a protagonist who died at the end, this was puzzling to me! How could it possibly be a pitch for a series??? \r\n\r\nWhat a waste of four pages. \r\n\r\nThere were several other misunderstandings that I won\u2019t go into. Historical dramas perhaps need an older reviewer who has an understanding of how societal lives, classes and attitudes were a hundred years ago. I don\u2019t think your reviewer did.\r\n\r\nOther than that, well done. You\u2019re offering a service that is welcome to anyone who wants to write for the media. \r\n"